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dad stuff design project stage production

Chinese Dragon

A Chinese Dragon head needed repair. An eye was missing. The head was falling apart. Most of all, it needed something more.

Originally published January 12, 2019; updated for more images.

Originally published January 12, 2019; updated for more images.


A Chinese Dragon head needed repair. An eye was missing. The head was falling apart. Most of all, it needed something more.

The prop was for my son’s third grade show. His and another class would dance the Chinese Dragon and perform songs describing their knowledge of the culture. The show would be in four weeks but rehearsal requirements meant they would need the prop in three weeks. There were other conditions to shorten the timeline: we would be a week away for the Christmas holiday; and I would need general surgery which meant some recovery time of doing nothing. Therefore, I had only two weeks. And, oh, they needed two heads.

The Original Head

My wife picked up the original head and sent me a picture.

The original head. Its left eye (other side) was missing and experienced the expected abuse by eight and nine year olds.

I was not unprepared; I did see another image of it on some other phone during a loud children’s party. Still, the new image showed more work was needed than I originally thought. There was a budget of $200 but I truly believed I could repair and modify this prop and build another one less than that. To accomplish this goal of a small budget, economical use of materials, within a short timeline and with reasonable effort considering recovery from a surgery; I had to start with a plan.

Always start with a plan

In my head I saw what Chinese Dragon Parade heads could be but I needed references to ground my understanding. With a quick image perusal for references, I worked out a sketch which directed my shopping list.

A digital sketch

With measurements of the current head, I designed with the motivation to modify (recycling) what was available and adding to make it new. Satisfied with my sketch, I designed actual size templates for print organizing each piece to fit on four pieces of 1/2 inch and five pieces of 3/8 inch foam core boards with as little waste as possible. I felt like I was a greasy gas monkey pimping an old car, but…not.

I pulled the jaws off, the eye fall off, trimmed the head with an arc-cut at the bottom to match the design and assessed what repair parts were needed to make a durable prop to handle third graders. With hot glue gun in hand, I reinforced the current construction with foam core blocks and added the extra details bumping up its sophistication. Here is the modified dragon head trimmed and accessorized and almost ready for a coat of paint. The exposed triangular wedges bridge the snout to the forehead to change the head’s shape; what was the old jaw became the plate to skin the top.

The head cut down. The grey wedges on the bridge of the nose connecting to the forehead.

I also assembled another head working with the plan and two disconnected lower jaw constructions. The lower jaws were to hang from the head so they can move around with the dance.

For this head, the top was constructed with 3/8 inch foam core sheets rolling from top jaw, up and over the snout to the back of the head.
The jaw constructed with 1/2 inch foam core. The exposed foam covered by packing tape preventing any erosion from the spray paint.

The original head in its final form

Garland dangles from the jaw for a beard, works as bushy eyebrows and hides exposed seams from the repair. For both heads, a design change fixed the jaw to the head to avoid faster wear and tear.

The new head

Different garland consideration such as the trim to accentuate the furrowed eyes.
My son suggested glitter to make the teeth sparkle from the stage lights. Nice idea! You can see the tape along the exposed edges protecting the foam from spray paint reaction.
I kept the original soft garland to use it as eyelashes on both dragon heads.
The two heads different in character. Note that the new head has a smoother snout; channels on the underside were scored allowing the board to bend.
Inside the second head showing the scored side creating channels making the foam core board flexible. The two blocks on both sides shows the modified construction to attach the jaws to the head and creating a brace for the wood dowels to hold and handle the heads.

The design changed during production. I had intended for the lower jaws to float and wiggle with the moves. A quick fit revealed that the two assemblies would bump each other wearing each one down too quickly when considering that young children would be manipulating the heads through the dance. I wanted garland to trim the mouth and the entire perimeter of the head. During measuring, the dry fit of the garland to the head hid the teeth too much—the teeth would lose their sparkling design; and the garland around the head dominated the design instead of accenting it. The garland was reserved to the beards, eyebrows, the single hair piece at the top and any large seams. Close inspection of the photos will show flaws, however from the audience point of view, they will see a nice just the giant heads dancing with delight.

Budget

The final cost was $109. I worked far less than the allowed budget! I achieved this by searching for sales, having a member discount at an art store and recycling the previous head.


The new dragon head in action.
The dragon bodies perfectly designed and produced by another volunteer parent.